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Pianist, Composer, Professor

Multimedia

  • Recital at the Cuenca Auditorium

    Recital at the Cuenca Auditorium “MEETINGS WITH THE PROVINCE” 08/10/2016 Musical interpretation by Álvar...
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  • Music Box Auditorium of the Palacio de Cibeles

    Music Box Auditorium of the Palacio de Cibeles KLASSIC FEST organized by Katarina Gurska center. Music by Swiss comp...
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  • Museum of Romanticism, Madrid

    Museum of Romanticism, Madrid 03/07/2017 17/07/2017 PROGRAM Music by Haydn, Bottesini y Prokofiev....
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  • Crystal Hall – Rogaška Slatina, Eslovenia

    Crystal Hall – Rogaška Slatina, Eslovenia...
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  • Awards ceremony at the Oskar Rieding International Competition

    Award ceremony at the Oskar Rieding International Competition for Performers and Composers, held at the National Hal...
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  • Performance as a pianist in the short film “Le Prochain”

    Performance as a pianist in the short film “Le Prochain” (2018) directed by Raúl Herrera. Le Prochain is a short fil...
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"Álvaro Urbanos is a complete musician, deeply devoted to the search for a sincere, authentic and virtuosic expression"


Bruno Vlahek, pianist and composer

Compositions

A la Schoenberg – Álvaro Urbanos

Dodecaphonism

The dodecaphonism removes the tonic as the most important note and proposes the equality of all the notes gathered in an octave. The creator of this technique was the Austrian composer Arnold Schönberg in the 1920s. Experienced by the Second Vienna School, composed of Alban Berg, Anton Webern, Hanns Eisler and Arnold Schönberg himself.

In nature – Álvaro Urbanos

Atonalism

Atonalism lacks a main tone and is not subject to the rules of tonality (harmony and melody). The first notions of atonal music appear with the Hungarian composer Franz Liszt at the end of the 19th century.

Tarantella in Em – Álvaro Urbanos

Tonal music

The vast majority of western music is composed on a structure called the tonal system. The tonal system is organized around a note it is called “tonic” and it will give name to the tonality. This technique began to develop from the beginning of the Baroque period (early 17th century).

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